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| One of my Index cards from the ICAD challenge. |
After starting the ICAD challenge though, I quickly realized I was hooked, not just on art, but in particular on painting. It wasn't long before I wanted to move beyond the index cards and onto a canvas. Since then, I've painted and painted and painted. Having had no formal training, I have learned most of what I know by trial and error, often with many errors repeated again and again (when will I finally automatically paint background objects BEFORE foreground objects???). I've watched a few how-to videos, and read a few books, but mostly I'm self taught... I've been learning to paint by PAINTING. Eventually I might like to go for my BFA, but in the meantime I just continue to paint.
Recently, the gallery owner where my work is sometimes displayed suggested that I take part in a local juried show. He felt that it would give me more exposure, and also give me a chance to see how my work compares with other local artists and to get feedback from more people. I looked over the work I had, and felt that there were many things I had learned recently that didn't show in those pieces, so I decided to create three pieces specifically for the show, being mindful to apply everything I've learned up until now. In other words, I wanted to really stretch myself to the limits of my current skills and abilities, so that I would be submitting the very best work I am currently capable of producing.
Here is the first piece as it took shape:
This first photo shows the work after my first painting session, I have no idea how much time I spent up until this point on it, but it was all one painting session. I used three reference photos I had taken, but didn't copy directly from any of them, just used them to spark ideas and give a general outline of what was happening.
I decided to block in some general darks and lights in the background, so that when I added background trees gaps in them wouldn't show stark blue sky, because I've noticed in some of earlier paintings that sky showing through like that often makes the landscape look flat, or fake.
Then, here is the second in progress photo, a little more has changed at this point, one back ground tree has been added, and one more foreground tree.
Then I added the other background trees. Notice that I made them lighter and less distinct than the ones in the foreground, I've been trying to learn to implement atmospheric perspective.
On to progress picture number 4, here I have lightened the trees in the background more, plus added some more foreground elements. I know that the picture looks very different in color here, but it hasn't changed. All but the final two photos were taken with my phone, and it is very sensitive to changes in lighting. The slightest difference in available light causes a whole different color cast over everything.
Next I simply added more detail in the foreground, such as some flowers on the bush in the lower right hand corner, and some more reflected light on the pond.
So I fixed the sky, and then took another picture with my good camera. I printed several samples to compare the color to the original, and edited until it matched. And here is the final result:
So there is the painting that will be my first entry into the juried show. Because I am keeping it for the show, I can't offer it for sale yet, however prints of it are available on my Fine Art America page, and if the original doesn't sell during the show, it will be offered for sale afterward either in my local gallery, or in my Etsy shop.
Thank you for reading! I welcome your suggestions on how to make this blog more interesting to you!
